Franciscan Ceramics - Wikipedia

Franciscan Ceramics

dating franciscan desert rose

Encanto was introduced in a clear glaze, with or without platinum or gold banding. Francis Chun designed many of the patterns on the shape. It says on the bottom of the bowls: This Franciscan Desert Rose sugar bowl with lid is in very good condition. Los Angeles, California , US. This Franciscan Desert Rose mixing bowl is in excellent condition with no chips, cracks or crazing.

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The dinnerware design team designed the Madeira line of patterns, an innovative studio potter shape dinnerware. The Prouty tunnel kiln patents were acquired in the purchase of the West Coast holdings of the American Encaustic Tiling Company in These Franciscan Desert Rose dinner plates are in excellent condition with no chips, cracks or crazing. There are no chips or cracks on it. James, an admitted devotee of the Bauhaus movement, sought to bring this aesthetic to his design work. During his fifty four years of service, Atholl guided the company to a position of being one of the most important ceramic companies in the United States. The only shape not designed for Modern Americana was the Metropolitan shape.

Also in the Company introduced Franciscan Ivy, a hand-painted embossed dinnerware pattern. Franciscan Ivy was designed and carved by Mary Jane Winans, a contract designer. During his fifty four years of service, Atholl guided the company to a position of being one of the most important ceramic companies in the United States. With a new President and Chairman of the Board, the company reorganized.

Lee Bennett became vice president of the newly formed research and development division at the Glendale plant carrying out the company policy of product diversification to maintain its trade position. Under Bennett, Max Compton would continue as chief glaze ceramic engineer and a new design department was created with Mary Jane Winans as the chief designer and stylist. Joining Winans in the newly formed design department were George T. James and Otto Lund. She taught at Vancouver School of Art for two years.

After her employment as a decorator, Winans worked as a freelance industrial designer in the ceramic industry in the Los Angeles area for twelve years. James, an admitted devotee of the Bauhaus movement, sought to bring this aesthetic to his design work.

Otto Lund emigrated from Denmark in Besides designing surface patterns, Lund designed and participated in the development of dinnerware shapes. Two new lines with unique shapes were designed for Modern Americana; the Eclipse shape designed by George T. James and the Flair shape designed by Mary Jane Winans. The only shape not designed for Modern Americana was the Metropolitan shape.

The shape was adapted into a dinnerware line sold by the company as the matt glazed Metropolitan Service from From , the shapes were sold in gloss glazes as the dinnerware line Tiempo. Brown, a contract designer, designed the surface patterns Starburst and Pomegranate for the Eclipse shape. For the Flair shape, Brown designed the surface pattern Echo and Woodlore was designed by the contract design group, The Millers. The company had ceased manufacturing all their earthenware art ware lines under the trademarks of Franciscan and Catalina in However, the Company continued until to manufacture fine china blanks for the Max Shoenfeld Company and earthenware lamp bases for outside companies to assemble and sell under their trade names.

This new Franciscan line was named Contours by George T. The Contours art ware line was sold in one color or duotone glazes, with or without decoration.

The Contours art ware line was the only art ware or dinnerware line the company allowed the designer to use their name on the promotion and marketing. Franciscan Contours did not appeal to the buying public, and was discontinued shortly after its introduction. The only lower priced dinnerware line, introduced in , to be manufactured in the Glendale plant was the earthenware Family China line designed by George T.

Two lower priced dinnerware lines were produced in Japan and introduced in The earthenware Whitestone Ware, designed by George T. However, revenue was up in all other divisions. Aside from the dinnerware division, which was marketed throughout the United States and exported to other countries, the company was limited in all their other product divisions to distribution to the west coast states. To expand the market for all their products, the company made the decision to merge with an established East coast company to create a national and international corporation.

International Pipe and Ceramics Corporation. The Lock Joint Pipe Company, based in New Jersey, was the largest producer of pre-stressed concrete pressure pipe in the United States and one of the leading manufacturers of concrete sewer, culvert, and sub-aqueous pipe.

The merged companies became one of the four hundred largest corporations in the United States with sales of over one hundred million.

Atholl McBean would continue to give his guidance to the corporation and serve as a member of the board. Management in New Jersey began their new mandate to overhaul operations in all their divisions. Millard Sheets was hired as a consultant to Interpace in One of his projects included the development of a new design staff for tile and dinnerware.

Elliot House was hired as the manager of the dinnerware design department. In , George T. Hired on a contract basis for designing dinnerware were ceramists Richard Petterson and Helen Richter Watson. Hired full-time as dinnerware designers were Rupert J. Ceramist Henry Takemoto joined Max Compton in the glaze department.

In , Henry Takemoto was hired as a full-time dinnerware designer. The tile design team innovated new glazes and methods for decorating 12" by 12" tiles for wall murals. Major ceramic tile wall murals completed and still in existence include: The dinnerware design team designed the Madeira line of patterns, an innovative studio potter shape dinnerware. One of the companies top selling pattern on the Madeira shape designed by Rupert J.

Deese was the pattern Madeira designed by Jerry Rothman with a dark glaze developed by Kathy Takemoto. The company also introduced a new fine china shape. The shape was designed by George T. Francis Chun designed many of the patterns on the shape. In , Interpace acquired its second largest company, Shenango China. Shenango was the owner and maker of Castleton China and was a large supplier of restaurant china. Shenango had acquired Mayer China in was included in the acquition.

The design staff of each division was maintained separately. However, Shenango manufactured Franciscan's Gourmet line of stoneware dinnerware and cookware.

In , Interpace purchased the Tiffin Glass Company, Tiffin, Ohio and began to manufacture glass to coordinate with their Franciscan dinnerware lines. The Madeira line shapes were adapted to the existing equipment of the Alfred Meakin pottery by George T. Nice set of 4 hand painted Desert Rose tumblers measuring a tad over 5 inches tall. No chips, nicks, cracks or crazing noted. One has a small rust colored stain on the side which is shown in the last Up for auction a wonderful set of four Franciscan Desert Rose grand sized mugs.

All have the same made-in-USA Hallmark. No chips, cracks or crazing. It says on the bottom of the bowls: It is free of chips, cracks, and stains. Set of Authentic- Genuine Franciscan glasses. There are 4 signed Tumbler glasses -. Here we have a set of four 4 Oatmeal Bowls in the popular Franciscan Desert Rose pattern made in California from The top rose appears to have a couple of scr For your bidding pleasure are four Franciscan Desert Rose cereal bowls in excellent condition, no cracks or chips.

Minor if any scratches from utensils. Made in USA backstamp. Excellent condition with no chips, cracks or crazing - the For your consideration is a Franciscan Desert Rose butter dish with cover. There are no chips or cracks on it. It has never been used.

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dating franciscan desert rose

This Franciscan Desert Rose creamer is in excellent condition with no chips, cracks or crazing.

dating franciscan desert rose

Another unique glaze he produced was a Persian blue, a turquoise blue with pebble effect. There are no chips or cracks on it.

dating franciscan desert rose

Aside from the dinnerware division, which was marketed throughout the United States and exported to other countries, the company was dating franciscan desert rose in dating franciscan desert rose their other product divisions to distribution to the west coast states. Millard Sheets was hired as a consultant to Interpace in Besides designing surface patterns, Lund designed and participated in the development of dinnerware dranciscan. These Franciscan Desert Rose fruit bowls have no chips, cracks or crazing but do show wear in the center of the bowls. Franciscan Contours did not appeal to the franciiscan public, and was discontinued shortly after its introduction.